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A woman’s peaceful marriage unravels when her husband hires a young housekeeper who carries a strange wooden doll. As jealousy turns into obsession, accidents and visions begin to haunt the house, blurring the line between infidelity and madness.
Visually, it’s far more daring than many Korean films of the early ’80s. The lurid reds, sickly greens, and artificial lighting give the house an unreal, almost theatrical feel, as if the walls themselves are reacting to the heroine’s unraveling mind.
Visually, it’s far more daring than many Korean films of the early ’80s. The lurid reds, sickly greens, and artificial lighting give the house an unreal, almost theatrical feel, as if the walls themselves are reacting to the heroine’s unraveling mind.
The wooden doll isn’t just creepy set dressing. It taps into old Korean folk beliefs about spirit objects and household talismans, which makes the horror feel intimate and culturally rooted rather than imported from Western thrillers.
Though it wasn’t a major hit on release, it has since developed a cult following, especially among viewers rediscovering pre-1990s Korean genre cinema and tracing the roots of the psychological dread that later defined modern Korean horror.



















